Complete book list for Art and Society in the Nineteenth Century
Recommendations for Summer Reading:
S.F. Eisenman et.al., Nineteenth-Century Art; A Critical History (London, 2002)
ISBN: 0500283354The indispensable one-volume reference work on 19th-century art in Europe and America has been substantially updated and enlarged. This second edition contains: a revised, expanded and illustrated Introduction; 3 new chapters – Landscape Art and Romantic Nationalism in Germany and America; Photography, Modernity and Art; and The Appeal of Modern Art: Toulouse-Lautrec; fully updated selected bibliography; a revised list of Illustrations and Index; 47 new monochrome illustrations; 13 new colour illustrations.
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Extract from the book Nineteenth-Century Art
General Texts:
A. Boime, Art in an Age of Bonapartism, 1800-1815 (Chicago, 1990)
ISBN: 0226063364 Amazon comment: In this second volume, Albert Boime continues his projected five – volume social history of Western art in the Modern epoch. This volume offers a major critique and revisionist interpretation of Western European culture, history, and society from Napoleon ‘s seizure of power to 1815. Boime argues that Napoleon manipulated the production of images, as well as information generally, in order to maintain his political hegemony. He examines the works of French painters such as Jacques-Louis David and Jean Auguste Dominique Ingres, to illustrate how the art of the time helped to further the emperor ‘s propagandistic goals. He also explores the work of contemporaneous English genre painters, Spain’s Francisco de Goya, the German Romantics Philipp Otto Runge and Caspar David Friedrich, and the emergence of a national Italian art. Heavily illustrated, this volume is an invaluable social history of modern art during the Napoleonic era. Stimulating and informative, this volume will become a valuable resource for faculty and undergraduates. –R. W. Liscombe, Choice Albert Boime is professor of art history at the University of California, Los Angeles.
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F.Frascina, N.Blake, et.al., Modernity and
ISBN:
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P. Gillet, The Victorian Painter’s World (Gloucester, 1990)
ISBN:
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L. Nochlin, Realism and Tradition in Art 1848-1900 (Englewood Cliffs, N.J., 1966)
ISBN:
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L. Nochlin, The Politics of
ISBN:
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R. Rosenblum and H.W. Janson, Art of the Nineteenth
ISBN:
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More Focussed Studies:
J.Barrell, The Dark Side of the
ISBN: 0521276551
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A.Bermingham, Landscape and
ISBN: 0500234817
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A. Boime, The Academy and French Painting in the Nineteenth Century (London, 1971)
ISBN: 0300037325
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D. Cherry, Painting
ISBN:
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T.J. Clark, The Painting of Modern
ISBN:
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I.B. Nadel, Victorian Artists and the
ISBN: 0080233813
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L. Nead, The Female
ISBN: 0415026784
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L. Nead, Myths of
ISBN: 0631155023
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R. Strong, ‘And when did you last see your Father?’
ISBN: 0500271321
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A. Thomas, Expanding
ISBN: 0856641618
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Books Recommended
General Bibliography
J.Barrell, The Dark Side of the
ISBN:
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A.Bermingham, Landscape and
ISBN:
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A. Boime, Art in the Age of Revolution, 1750-1850 (Chicago, 1987)
ISBN: 0226063348 Full title: A Social History of Modern Art: Art in the Age of Revolution, 1750 – 1800 Vol 1 (A Social History of Modern Art) by Albert Boime
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A.Boime, The Academy and French Painting in the Nineteenth Century (New Haven and London, 1986)
ISBN: A little expensive.
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D. Cherry, Painting
ISBN:
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T.J. Clark, The Painting of Modern
ISBN:
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B. Denvir, The Early Nineteenth
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B. Denvir, The Late
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S.F. Eisenman et.al., Nineteenth-Century Art; A Critical History (London, 2002)
ISBN: 0500283354
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A.Bermingham, Landscape and
ISBN:
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A. Boime, Art in the Age of Revolution, 1750-1850 (Chicago, 1987)
ISBN: 0226063348 Full title: A Social History of Modern Art: Art in the Age of Revolution, 1750 – 1800 Vol 1 (A Social History of Modern Art) by Albert Boime
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A.Boime, The Academy and French Painting in the Nineteenth Century (New Haven and London, 1986)
ISBN: A little expensive.
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D. Cherry, Painting
ISBN:
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T.J. Clark, The Painting of Modern
ISBN:
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B. Denvir, The Early Nineteenth
ISBN:
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B. Denvir, The Late
ISBN:
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S.F. Eisenman et.al., Nineteenth-Century Art; A Critical History (London, 2002)
ISBN: 0500283354The indispensable one-volume reference work on 19th-century art in Europe and America has been substantially updated and enlarged. This second edition contains: a revised, expanded and illustrated Introduction; 3 new chapters – Landscape Art and Romantic Nationalism in Germany and America; Photography, Modernity and Art; and The Appeal of Modern Art: Toulouse-Lautrec; fully updated selected bibliography; a revised list of Illustrations and Index; 47 new monochrome illustrations; 13 new colour illustrations.
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F.Frascina, N.Blake, et.al., Modernity and
ISBN:
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C.Harrison, P.Wood and J. Gaiger (eds), Art in Theory 1815-
ISBN:
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F.Haskell, Rediscoveries in Art (New Haven and London, 1976)
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I.B. Nadel, Victorian Artists and the
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L. Nead, Myths of
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L. Nead, The Female
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L. Nochlin, Realism and Tradition in Art 1848-1900 (Englewood Cliffs, N.J., 1966)
ISBN:
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L.Nochlin, The Politics of
ISBN:
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L.Nochlin, Women, Art and Power, and other Essays (London, 1991)
ISBN:
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R. Rosenblum and H.W. Janson, Art of the Nineteenth
ISBN:
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A.C and H.C.White, Canvases and
ISBN:
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N. Rosenblum, A World History of Photography (New York, 1984)
ISBN:
Amazon Synopsis
Encompasses the entire range of the photographic medium, from the camera lucida to up-to- date computer technology, and from Europe and the Americas to the Far East. The text investigates all aspects of photography – aesthetic, documentary, commercial and technical – while placing it in historical context. It includes three technical sections with detailed information about equipment and processes. This edition also updates important new international work from the 1980 s and 1990 s.
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J.C. Lemagny and A. Rouill', eds., A History of Photography (Cambridge, 1987)
ISBN:
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Academies and Education
Recommended reading:
N. Pevsner, Academies of Art, Past and Present (London, 1940)
ISBN: Book not stocked by Amazon, check if one has become available secondhand.
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C. Goldstein, Teaching
ISBN:
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S. Macdonald, The History and Philosophy of Art Education (New York, 1970)
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J. Milner, The Studios of
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A. Boime, The Academy and French Painting in the Nineteenth Century (New Haven and London, 1986)
ISBN:
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Suggested reading:
J. Minihan, The Nationalisation of
ISBN:
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R.C. Denis and C. Trodd, Art and the Academy in the Nineteenth Century (Manchester, 2000)
ISBN: 0719054966
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R.C. Denis and C. Trodd, Art and the Academy in the Nineteenth Century (Manchester, 2000)
ISBN: 0719054966
Amazon Synopsis
Academies functioned as the main venues for the promotion, display and teaching of art throughout the 19. 20 th- century opinion has tended to maintain a consipicuous silence on their account, except for the strategic employment of academicism as a term of abuse. The authors uncover the institutional structures and artistic practices of academies from London and Paris to Dusseldorf and Rio de Janeiro. By situating the efforts of individual artists and academies within the context of a network of global proportions, new insights are gained into the ways in which institutions of art helped shape the 19 ‘s view of itself as an age of equipoise and civilization amidst the turmoil of rapid social and cultural change.
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P. Barlow and C. Trodd eds., Governing
ISBN:
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M. Pointon and P. Binski, eds., ‘National Art Academies in Europe, 1860-
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Artistic Identities
Recommended reading:
H. Honour, ‘Artist’s Life’, Romanticism (Harmondsworth, 1979), chp.7
ISBN:
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E. Kris and O. Kurz, Legend, Myth and Magic in the Image of the
ISBN:
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R. Wittkower, ‘
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M. Easton, Artists and Writers in Paris. The Bohemian Idea, 1803-1867 (London, 1964)
ISBN:
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M. Shroder, Icarus. The Image of the Artist in French Romanticism (Cambridge, MA., 1961)
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G. Levitine, The Dawn of Bohemianism (Pennsylvania, 1978)
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Exhibitions and Art Markets
Recommended reading:
P. Gillett, The Victorian Painter’s World (Gloucester, 1990)
ISBN:
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R.T. Altick, The Shows of London (London, 1980)
ISBN:
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P. Funnell, ‘The London Art World and its Institutions’, in C. Fox, ed.,
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E.G. Holt, The Triumph of Art for the
ISBN:
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J. Milner, The Studios of
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N. Green, ‘Dealing in
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Suggested reading:
G. Pelles, Art, Artists and Society, Origins of a Modern
ISBN:
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D. Solkin, ed., Art on the
ISBN:
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P. Fullerton, ‘Patronage and
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A. Hemingway, ‘Art Exhibitions as Leisure-Class Rituals in early nineteenth-century London’, in B. Allen, ed., Towards a Modern Art World (New Haven and London, 1995), pp.95-108
ISBN:
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B. Denvir, The Late
ISBN:
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Art and Mechanical Reproduction
Recommended reading:
W. Benjamin, ‘The Work of Art in the Age of Mechanical Reproduction’, in Illuminations, translated by H. Zohn (London, 1973), pp.219-53
ISBN:
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C. Ashwin, ‘Graphic Imagery 1837-
ISBN:
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P. Anderson, The Printed Image and the Transformation of Popular Culture (Oxford, 1991)
ISBN:
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G. Wakeman, Victorian Book
ISBN:
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A. Scharf, Art and Photography, revised edn. (Harmondsworth, 1974)
ISBN:
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Landscapes and Peoples
Tourism and the Picturesque
Recommended reading:
A. Bermingham, Landscape and
ISBN:
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I. Ousby, The Englishman’s
ISBN:
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E. Shanes, Turner’s Picturesque Views in England and Wales (London, 1989)
ISBN:
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D. Hill, Turner in the North (New Haven and London, 1996)
ISBN:
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C.P. Barbier, William
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Suggested reading:
S. Copley and P. Garside, eds., The Politics of the
ISBN:
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M. Rosenthal, C. Payne and S. Wilcox, eds., Prospects for the
ISBN:
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M. Andrews, ‘A Picturesque
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J. Gage,
ISBN:
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Class and Labour
Recommended reading:
J. Barrell, The Dark Side of the
ISBN:
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C. Payne, Rustic
ISBN:
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M. Cowling, The Artist as
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I.B. Nadel, Victorian Artists and the
ISBN:
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G. Curtis, ‘Ford Madox Brown’s
ISBN:
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Suggested reading:
A. Bermingham, Landscape and
ISBN:
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C. Payne, Toil and
ISBN:
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C. Trodd, ‘The Laboured Vision and the Realm of
ISBN:
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T.J. Edelstein, ‘They sang ‘The song of the shirt’
ISBN:
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S. Shesgreen, Criers and Hawkers of
ISBN:
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T. Barringer, ‘Images of Otherness and the Visual Production of
ISBN:
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Nature and Nationalism
Recommended reading
N. Green, The Spectacle of Nature (Manchester, 1990)
ISBN:
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M. Rosenthal,
ISBN:
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W. Vaughan, ‘Constable’s Englishness’, Oxford Art Journal, 19, 2 (1996), pp.17-27
ISBN:
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J.L. Koerner, Caspar David Friedrich and the Subject of Landscape (London, 1990)
ISBN:
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W. Vaughan, German Romantic Painting, 2nd ed. (New Haven and London, 1994)
ISBN:
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S. Daniels, Fields of
ISBN:
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B. Novak, Nature and
ISBN:
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D.K. Kris, The Idea of the English Landscape Painter (New Haven, 1997)
ISBN:
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Emergence of the Modern City
Recommended reading:
H.J. Dyos and M.Y. Wolff, eds., The Victorian
ISBN:
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R. Dixon and S. Muthesius, eds., Victorian Architecture (London, 1978)
ISBN:
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D. Olsen, The Growth of Victorian London (London, 1975)
ISBN:
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M. Gaillard, Paris au XIX Si'cle (Paris, 1981)
ISBN:
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H. Pundt, Schinkel’s Berlin (Cambridge, MA., 1972)
ISBN:
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M. Snodin, ed., Karl Friedrich
ISBN:
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R. Porter,
ISBN:
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History and Modernity
The Functions of History Painting
Recommended reading:
Sir J. Reynolds, The Discourses (1769-90), ed. R.R. Wark (New Haven and London, 1997)
ISBN:
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J. Barrell, The Political Theory of Painting from Reynolds to
ISBN:
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R. Strong, ‘And when did you last see your Father?’
ISBN:
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E. George, The Life and Death of Benjamin Robert Haydon (Oxford, 1967)
ISBN:
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A. Boime, The Academy and French Painting in the Nineteenth Century (New Haven and London, 1986)
ISBN:
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Suggested reading:
A. Boime, Thomas Couture and the Eclectic Vision (New Haven and London, 1980)
ISBN:
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- S.L. Siegfried, ‘Ingres and the Theatrics of History Painting’, Word and Image, 16, 1 (2000), pp.58-76
ISBN:
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+B.S. Wright, Painting and History during the French
ISBN:
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The Historical Present
Recommended reading:
A.U. Abrams, The Valiant
ISBN:
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S.L. Siegfried, ‘Naked
ISBN:
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D.G. Grigsby, ‘Rumor, Contagion and Colonization in Gros’s Plague-stricken of Jaffa, 1804’, Representations, 51 (Summer 1995), pp.1-46
ISBN:
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C. Prendergast, Napoleon and History
ISBN:
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L. Nochlin, Gustave
ISBN:
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Suggested reading:
H. von Erffa and A. Staley, The Paintings of Benjamin West (New Haven and London, 1986)
ISBN:
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- M. Marrinan, ‘Literal, literary, ‘lexie’
ISBN:
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L. Eitner, G'
ISBN:
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L. Eitner, G'ricault’s ‘Raft of the Medusa’ (London, 1972)
ISBN:
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T.J. Clark, The Image of the People (London, 1973)
ISBN:
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Portraiture: The Hero and the Sovereign
Recommended reading:
M. Homans, Royal
ISBN:
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M. Homans and A. Munich, eds., Remaking Queen Victoria (Cambridge, 1997) — esp. essays by Watson and Casteras
ISBN:
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A. Boime, Art in an Age of Bonapartism, 1800-15 (Chicago, 1987)
ISBN:
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C. Prendergast, Napoleon and History
ISBN:
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A. Yarrington, ‘Nelson the citizen
ISBN:
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M.F. Busco, ‘The Achilles in Hyde Park’, Burlington Magazine, 130, 1029 (1988), pp.920-4
ISBN:
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Suggested reading:
- S. Schama, ‘The Domestication of
ISBN:
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M. Homans, ”To the Queen’s Private Apartments’
ISBN:
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+T. Wilson-Smith, Napoleon and his Artists (London, 1996)
ISBN:
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C.M.S. Johns, ‘Portrait
ISBN:
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+R.J.B. Walter, The Nelson Portraits (Portsmouth, 1988)
ISBN:
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Ruskin and Revivalism
Recommended reading:
J. Ruskin, Modern Painters (1843 onwards), The Seven Lamps of Architecture (1849) and The Stones of Venice (1851 onwards) in J. Ruskin, Complete Works, ed. E.T. Cook and A. Wedderburn (London, 1903-12)
ISBN:
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R. Hewison, I. Warrell and S. Wildman, Ruskin, Turner and the Pre-Raphaelites (London, 2000)
ISBN:
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R. Hewison, John
ISBN:
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P. Atterbury, A.W.N.
ISBN:
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M. Aldrich, Gothic Revival (London, 1994)
ISBN:
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K. Clark, The Gothic Revival (London, 1974)
ISBN:
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Suggested reading:
F. Haskell, Rediscoveries in
ISBN:
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N. Pevsner, Some Architectural Writers of the Nineteenth Century (Oxford, 1972)
ISBN:
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+R. Hewison, ed., Ruskin’s
ISBN:
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C. Wainwright and P. Atterbury, eds.,
ISBN:
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Baudelaire and Modernity
Recommended reading:
J. Mayne, ed., The Painter of Modern Life and Other Essays (New York, 1964)
ISBN:
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+D. Carrier, High
ISBN:
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W. Benjamin, Charles
ISBN:
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T.J. Clark, The Painting of Modern
ISBN:
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G. Pollock, ‘Modernity and the Spaces of Femininity’ in Vision and
ISBN:
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Suggested reading:
A. Brookner, The Genius of the
ISBN:
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J.A. Hiddleston, Baudelaire and the Art of Memory (Oxford, 1999)
ISBN:
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T. Reff, Manet and Modern Paris (Washington, D.C., 1982)
ISBN:
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K. Adler, ‘The Suburban, The Modern, and ‘Une Dame de Passy’, Oxford Art Journal, 12, 1 (1989), pp.3-13
ISBN:
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Gender and the Body
Women Artists
Recommended reading:
D. Cherry, Painting
ISBN:
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P.G. Nunn, Victorian Women Artists (London, 1987)
ISBN:
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T. Garb and K. Adler, Berthe Morisot (Oxford, 1986)
ISBN:
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A. Higonnet, Berthe Morisot’s Images of Women (Cambridge, MA., 1993)
ISBN:
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A. Boime, ‘The Case of Rosa
ISBN:
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W. Chadwick, ‘The Fine Art of
ISBN:
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Suggested reading:
C. Yeldham, Women Artists in Nineteenth-Century France and England (New York, 1974)
ISBN:
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C. Campbell Orr, ed., Women in the Victorian Art World (Manchester and New York, 1995)
ISBN:
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G. Doy, ‘Hidden from
ISBN:
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+G. Doy, Women and Visual Culture in Nineteenth-Century France, 1800-1852 (London and New York, 1998)
ISBN:
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M.D. Sheriff, The Exceptional
ISBN:
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D. Ashton, Rosa
ISBN:
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The Domestic Sphere
Recommended reading:
L. Nead, Myths of
ISBN:
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L. Nead, ‘The Magdalen in Modern
ISBN:
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S.P. Casteras, Images of Victorian Womanhood in English Art (Rutherford, NJ. and London, 1987)
ISBN:
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P.G. Nunn, Problem
ISBN:
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J.A. Kestner, Masculinities in Victorian Painting (Aldershot and Brookfield, 1995)
ISBN:
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Suggested reading:
C. Wood, Victorian
ISBN:
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L. Nead, ‘Seduction, Prostitution,
ISBN:
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S.P. Casteras, ‘The Unsettled
ISBN:
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K. Flint, ‘Reading The Awakening Conscience Rightly, in M. Pointon, ed., Pre-Raphaelites Re-Viewed (Manchester and New York, 1989), pp.45-65
ISBN:
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The Nude
Recommended reading:
K. Clark, The
ISBN:
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J. Berger, Ways of Seeing (London and Harmondsworth, 1972)
ISBN:
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L. Nead, The Female
ISBN:
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G. Saunders, The
ISBN:
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M. Pointon, Naked
ISBN:
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K. Adler and M. Pointon, eds., The Body
ISBN:
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I. Bignamini and M. Postle, The Artist’s
ISBN:
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M. Hatt, ‘Physical
ISBN:
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M. Postle and W. Vaughan, The Artist’s
ISBN:
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Orientalism and Photography
Recommended reading:
E. Said, Orientalism, (London, 1978)
ISBN:
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L. Nochlin, ‘The Imaginary Orient’, in The Politics of
ISBN:
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L. Thornton, Women as Portrayed in Orientalist Paintings (Paris, 1985)
ISBN:
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J.M. Mackenzie,
ISBN:
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R. Lewis, Gendering
ISBN:
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R. Kabbani, Europe’s Myths of Orient (London, 1986)
ISBN:
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M. Alloula, The Colonial Harem (Manchester, 1987)
ISBN:
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S. Graham Brown, Images of
ISBN:
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P. Osborne, Travelling Light. Photography, Travel and Visual Culture (Manchester, 2000). (See Part II: The Nineteenth Century)
ISBN:
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A. Rouill', ‘Exploring the World by Photography in the Nineteenth Century’, in A History of Photography, Lemagny and Rouill' eds. (Cambridge, 1987)
ISBN:
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Primitivism
Recommended reading:
B. Thomson, Gauguin (London, 1987)
ISBN:
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S. Eisenman, Gauguin in the South Seas (1997)
ISBN:
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P. Gauguin, Noa
ISBN:
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D. Danielson, Gauguin in the South Seas (1985)
ISBN:
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B. Smith, European Vision and the South Pacific 1768-1850 (New Haven, 1985)
ISBN:
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G. Pollock, Avant-Garde Gambits 1888-1893 (London, 1992)
ISBN: